Bach Bibliography Search Result - Ordered Chronologically

Author : Dirst, Matthew
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Type	List	Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages	Status
	1.	Dirst, Matthew:   Tradition, Authenticity, and a Bach Chorale Prelude. AmerOrganist(2) 25/ 3 (Mar 1991), 59-61. [BWV 641]
	2.	Dirst, Matthew; Weigend, Andreas S.:   Baroque Forecasting: On Completing J. S. Bach's Last Fugue. SantaFeInstStudSciComplexity 15 (1994), 151-172.
	3.	Dirst, Matthew:   Samuel Wesley and the Well-Tempered Clavier: A Case Study in Bach Reception. AmerOrganist(2) 29/ 5 (May 1995), 64-68.
	4.	Dirst, Matthew:   An Authenticity Grounded in Tradition: Czerny on Bach. [p]AMS_Southeast (Sep 1995) A paper read at the Southeast Chapter of the American Musicological Society on 22-23 September 1995 at Appalachian State University.
	5.	Dirst, Matthew Charles:   Bach's Well-Tempered Clavier in Musical Thought and Practice, 1750-1850. diss. (1996), vii, 176p. PhD diss., Stanford University, 1996, vii, 176p
	6.	Dirst, Matthew:   An Authenticity Grounded in Tradition: Czerny on Bach. [p]ABS_California (Apr 1996) Paper read at American Bach Society, Biennial Meeting. University of California, Berkeley, April 12-14, 1996.
	7.	Dirst, Matthew:   Bach's French Overtures and the Politics of Overdotting. EarlyM 25/1 (Feb 1997), 35-44.
	8.	Dirst, Matthew:   Mozart, Bach, and the Way to Fugue. [p]AMS_Southwest (Mar 1997) A paper read at the Southwest Chapter of the American Musicological Society on 22 March 1997 at Southwestern University.
	9.	Dirst, Matthew:   Doing Missionary Work: Dwight's Journal of Music and the American Bach 'Awakening'. [p]ABS_Washington (Apr 2000) Paper read at American Bach Society Biennial Meeting, Washington, D. C., April 7-9, 2000.
	10.	Dirst, Matthew:   Redefining the 'Natural': Eighteenth-century Bach Criticism and the Ideal of 'Unity in Diversity'. [p]AMS_Southwest (Oct 2000) A paper read at the Southwest Chapter of the American Musicological Society on 16 October 2000 at Rice University.
	11.	Dirst, Matthew:   Doing Missionary Work: Dwight's Journal of Music and the American Bach Awakening. BachPerspectives 5 (2003), 15-35.
	12.	Dirst, Matthew:   Mirror images of the heroic composer: Bach and Handel in the nineteenth century. [p]ABS_NewBrunswick (Apr 2004) A paper read at Biennial Meeting of the American Bach Society, April 16-18, 2004 at Rutgers University, NJ 'Images of Bach'. Abstract in BachNotesABS 1 (2004), p. 6-7.
	13.	Dirst, Matthew:   Continuo Practice in the Bach Cantatas: Instruments and Style. KeyboardPerspectives 3 (2010), 101-112.
	14.	Dirst, Matthew:   Bach's French overtures and the politics of overdotting. [ce]BaroqueMusic (2011), 391-400. [BWV 831a]
	15.	Dirst, Matthew:   Engaging Bach: The Keyboard Legacy from Marpurg to Mendelssohn. Cambridge: Cambridge University Press, 2012. viii, 186p. ISBN: 978-0521651608. (= Musical Performance and Reception)
	16.	Dirst, Matthew:   Continuo Practice in the Bach Passions. [p]ABS_Rochester (Sep 2012) A paper read at the biennial meeting of the American Bach Society 'Bach and the Organ' held at the Eastman School of Music in Rochester, NY, 27-30 September 2012.
	17.	Dirst, Matthew (ed.):   Bach and the Organ. Edited by Matthew Dirst. - Urbana, Chicago and Springfield: University of Illinois Press, 2016. viii, 122p. ISBN: 978-0-252-04019-1. (= Bach Perspectives, 10) [contents]
	18.	Dirst, Matthew:   Early Posthumous Printed Editions. [ce]RoutledgeResearchCompanion (2017), 464-474. [Chapter 18] Part V: Dissemination. [main headings: The First Posthumous Editions; Early Nineteenth-Century Editions]